Light of a Dead Star reviews
Noctir on September 16th, 2011
Light of a Dead Star
Nehëmah is a French Black Metal band that claims to have formed in 1992. Without a great amount of background information to work with, this comes off more as wishful thinking than anything else. This may have been the year during which Corven got his first guitar as a childhood Christmas present, and the 1995 demo was probably something quite similar to Nargaroth's early material; in other words, likely a lot of misinformation in order for the band to somehow claim roots back to the Second Wave, putting them in league with the very bands that they so strongly emulate here on this 2002 release, Light of a Dead Star.
My initial exposure to this band came as a recommendation from a friend. However, said person's taste was more geared toward modern releases, so I hardly took this very seriously. After more prompting, I finally gave in and checked this album out, though I cannot say that I was surprised. Mild irritation may be the most accurate description, summed up well by the first track. The album's intro is three excruciating minutes of flames, with annoying synth that gives off more of a Star Trek vibe than anything medieval or dark. This is not quite as comical as the intro to Graveland's In the Glare of Burning Churches, but it is three times longer and thus worse in the long run.
The music owes a lot to the early Norwegian scene, bearing strong influences from the likes of Darkthrone, Mayhem and Emperor. There is also a bit of mid-period Marduk in here, with some of the slower parts bearing similarities to the Nightwing album. While reminding one of older bands is nice, the material here does not always hold the listener's attention. The guitar riffs are rather straightforward, but often lacking any real power of their own, partially due to the horrible mix. That is not to say that the melodies are one-dimensional, as the band does succeed in creating a morbid atmosphere, at times. The songwriting also displays a higher level of ambition than many other bands of the same style, as the members of Nehëmah at least push themselves to the extent that you can tell that they were reaching for something higher. "In October Nightshades" is a good example of this band at their very best. The tempos vary, with slower sections coming along to really allow the riffs to breathe. During these moments, the bass is more audible in the same sense as on the early Watain material, and adds another dimension to the sound. Unfortunately, the synth does not seem to compliment the music very well, actually working against it in some cases. In most cases, the drumming is not overdone, except for on tracks like "I Will Sleep with the Dragon", in which the double bass and near-grinding method kills much of the song's potential, only being salvaged when things slow down long enough for the aura to be felt properly. The vocals are actually enjoyable, with Corven's approach hearkening back to Nocturno Culto's performances on the early Darkthrone material (Under A Funeral Moon, in particular), though occasionally he strays too far and ends up sounding like Legion instead, which is not a good thing. There is also limited use of clean vocals, though nicely buried in the sound in a similar manner to Emperor's initial attempts at utilizing a clean voice. One has to give the band credit for at least mixing things up and not taking influence from one single band. Instead, bits and pieces of various groups can be heard.
It is odd, however, that Nehëmah shows no connection with earlier French bands. It would almost seem natural to hear a little Mütiilation or Vlad Tepes influence, but this type of sound is completely absent. Perhaps, Corven and his bandmates had little or no knowledge of these bands, since their focus was strictly on the Scandinavian Black Metal scene.
As for the production, it sounds a little too modern for the material. It is not over-produced or possessing the slick, plastic sound at all, but it definitely betrays the record's era and does not help the band in its quest to capture the early-to-mid 90s Black Metal sound. It almost sounds as if it could have been recorded in Abyss Studio, at certain points. The guitar tone is somewhat cold, but the drumming is so horribly high in the mix that it stomps all over the riffs, more times than not, and this is obviously worse during the faster parts. The vocals are at an appropriate level and the amount of reverb is enough to help with the desired effect. While not suggesting that this should have been done with a more necro mindset, the band definitely would have benefited from working with someone with a better feel for the music.
Light of a Dead Star is a solid effort, though not anything to get too excited about. While it may exhibit more potential than other records of the time period, from fledgling bands such as Armagedda, it never fully realizes that potential. Nehëmah fails to reach the ambition they aspired and listeners would be better advised to stick with the classics and not go to any great lengths for this.
Written for http://ritesoftheblackmoon.tripod.com
Sargon_The_Terrible on September 1st, 2007
In Vulva Infernum...
I've been letting this one sink in, to make sure it was the unqualified masterpiece it sounded like at first. I was surprised by Nehemah's latest album "Requiem Tenebrae" earlier this year, and I was very pleased to be able to get ahold of their first two albums, which are hard to find in this country. I was prepared for this, their debut from 2002, to be not as good as the awesome "Requiem", but I was just floored by the quality of this release, which has to be one of the very best Black Metal albums I have ever heard.
Take Darkthrone's "Under A Funeral Moon", twist in some of Mayhem's "Der Mysteriis Dom Sathanas" and just a twitch of Emperor's "In The Nightide Eclipse" and you'd be pretty damned close to this album's sound, but that would be doing this fine CD a disservice, as there is a lot more going on here than just a band being derivative of the greats of their genre. Yes, Nehemah are firmly in the vein of old-school Black Metal on this release, but they play with genuine conviction, and they inject their own sense of melody, atmosphere, and a true epic feel into their classic approach. This is Black Metal that is defined and informed by the old Norwegian tradition, but not limited by it, and Nehemah have taken the sound of the old masters and made something individual with it.
First, they got the guitar tone perfect – this is a raw, hateful snarl of a sound that is clear enough to hear every riff yet still sounds like a frozen buzzsaw. It cuts like a blade – sharp and deadly. The mix is raw, and definitely a BM sound, but all the instruments can be heard and the brutal nature of the recording sounds deliberate, not inept, as so often happens with this kind of music.
Second, these are just great songs. Yes, the first and last tracks are ambient bits with keys and the sound of roaring flames, but they are not too long, and the six songs you get are still over 50 minutes of music. The title track is a fast and furious bit of Mayhem homage, and yet with that Nehemah touch of melody and atmosphere that is really hard to describe. This band just never gets boring, and just when you think a song is played out they launch into a slower, doomy section or kick out a whole new cascade of riffs. "Nehemah In Vulva Infernum" is the best tune here, with a haunting and hypnotic main riff that will never come out of your head. But all these songs are memorable, powerful, and distinct, with no blurring together. Even the 11-minute "Misty Swamps" gets neither repetitive, nor dull.
So while this is a more conventional BM album than this year's "Requiem Tenebrae", not as melodic or moody, it is still a triumph of old-school Black metal rulage. Those who are bowing at the altars of the increasingly sad Mayhem, Darkthrone and Satyricon are missing out on one band who are carrying the torch of the classic Black Metal sound while managing not to simply rehash old ideas. Nehemah just flat-out rule, and anyone interested in the very best Black Metal has to offer should check them out right away. An underrated band and an overlooked classic.
Originally written for www.metalcrypt.com
Nocturnwinter on November 3rd, 2005
Nehëmah - Light of a Dead Star
Ah, the debut of the French Black Metal band Nehëmah. I can be really short about this release; this album kills!
The intro is too long. Mankind wouldn't exist without fire, but hearing a witch being burned for about three minutes is rather long. Then 'Light of a Dead Star' sets in, a killer song at high speed. Judging from this song, you can hear this band is heavily influenced by Darkthrone. The compositions are put together skilfully, with some subtle keyboards or calm acousitc parts. This sets Nehëmah apart from the thousand-and-one Darkthrone clones.
The guitars sound very raw and brutal, especially in 'I Will Sleep with the Dragon', which contains one fucking epic riff. The drums are tight and precise, only Corven's vocals slightly irritate me at times, when he sounds a bit like a crow...
With bands like Deathspell Omega, Nehëmah gives a fresh impulse in the French Black Metal scene.
Light of a Dead Star track list
|1||The Witch Burns...||02:52|
|2||Light of a Dead Star||05:40|
|3||Across the Landscape||07:23|
|4||In October Nightshades||07:52|
|5||Nehëmah in Vulva Infernum||08:15|
|6||I Will Sleep with the Dragon||07:10|
|8||...in the Heat of the Flames||02:42|
Light of a Dead Star lineup